Reads – The Mermaid of Black Conch

*looks to the heavens for help*

I’ve been trying for a whole week to think how I can review The Mermaid of Black Conch by Monique Roffey in a way that will do it justice.

But I don’t think I can.

Put simply, this book is utterly, utterly beautiful.

‘The flat dark sea broke open. The mermaid rose up and out of the water, her hair flying like a nest of cables, her arms flung backwards in the jump, her body glistening with scales and her tail flailing, huge and muscular, like that of a creature from the deepest part of the ocean.’

The Mermaid of Black Conch by Monique Roffey.

The Caribbean, 1976. David Baptiste, a fisherman, is out in his boat one morning – not fishing, but smoking, singing, and playing his guitar. His music lures an ancient mermaid – the legendary Aycayia, a young woman cursed to live as a mermaid centuries before. Over time, David and Aycayia form a tentative bond. He, a hopeful performer; she, an intrigued spectator. But the arrival of two American fishermen in the town spells trouble for the star-crossed pair, and the effects of those troubles ripple through the whole community.

‘David was strumming his guitar and singing to himself when she first raised her barnacled, seaweed-clotted head from the flat, grey sea…’

This is the sort of book that’ll leave you bereft when you finish it – it’ll leave your emotions all at sea, your heart achy, and your soul spellbound. It’s the sort of book that’ll make you look at your TBR pile and sigh forlornly, knowing your reader’s heart is spoken for. It’s the sort of story that’ll sink down into your skin and weld itself to your bones; the sort of story that’ll leave you listening for cackles of laughter in the wind and have you double checking for silvery scales on your legs.

‘What had happened?… Had she done her time in exile?… Men had pulled her from the sea, where she’d been safe but lonely. Now she was contending with another life, one with reggae music, peacocks, cake and people who wore clothes.’

People who wear clothes, cake, peacocks, and reggae music – plus love, trust, curses, pride, jealousy, and a mermaid.

Together, they make one magical book.

Right Book, Right Time

Some books* are like roses – they need just the right conditions to grow on you, and you need to catch them at just the right time otherwise you’ll just see a mess of bleak branches and threatening thorns rather than a wonderland of beauty and colour.

*maybe all books are really – but I think this a whole other (and probably very long) blog post.

I recently finished One Hundred Years of Solitude by Gabriel Garcia Márquez, and it felt like a rose-book to me.

OneHundredYearsOfSolitude
one hundred years of solitude

‘… experience had taught her that the history of the family was a machine with unavoidable repetitions, a turning wheel that would have gone on spinning into eternity were it not for the progressive and irremediable wearing of the axle.’

There’s so much I could say about One Hundred Years of Solitude, but not much I can add to the already extensive debate surrounding it. It’s a mindbogglingly successful book that has had a massive cultural impact, that helped to spark the fires of magical realism as a genre, and that has baffled/bewitched millions of readers around the world for over fifty years.

Personally, I ended up loving it – despite a lot of intitial confusion/frustration/bewilderment and thinking that there was no way I would be able to muddle through to the end.

It turns out the conditions and times were right, though, for this rose-book to grow on me.

‘It rained for four years, eleven months, and two days.’

I have a few take aways from it for anyone thinking of giving this epic and surreal family saga a try…

  • it’s a whirlwind. Wars are begun and ended in a single sentence. Characters suddenly ascend to heaven whilst hanging out the laundry. Flowers rain from the sky and have to be shovelled off the streets. The book is a tornado of weird emotions, disturbing relationships, mini dramas, mega dramas, magical happenings, and dizzyingly complicated politics.
  • there are A LOT of characters with the same name. Get used to seeing Aureliano and Arcadio written on the page and good luck trying to distinguish between those characters based on the names alone. I could only differentiate between them by their behaviour and the characters around them, and even then I slipped up.
  • the imagery is insanely good. The book is a kaleidoscope of magic and wonder – I had to keep taking little moments just to absorb all the incredible mind pictures Márquez was painting on the page.
  • reading it feels a lot like fighting your way through a tangle of roots. But – after a while, hopefully, if you still like it and want to stick with it – those roots unfurl into a jungle of lush green leaves and colourful flowers. It’s still chaotic and wild, but it’s an interesting and hypnotic world to be in all the same.
  • it needs devotion. It’s not a book you can dip in and out of – it’s too mad for that.
  • it’s uncomfortable. There are creepy, icky relationships and creepy, outdated attitudes and neither of those things makes for a comfortable reading experience.
  • it will make you appreciate how normal your family is. If you’re beginning to find lockdown family life a bit tedious and samey, just be thankful you’re not in lockdown with the Buenidas.
  • it’s funny. There’s a lot of absurd humour to sink your teeth into.
  • it’s really, really weird. This is just worth reiterating.
  • it’s captivating. Despite everything – and there’s a lot of everything, I know – the story has a gravitational pull that’s hard to resist. It’s wacky and strange and disorientating, but magical in its bizarreness.

‘… both continued living on their own, cleaning their respective rooms while the cobwebs fell like snow on the rose bushes, carpeted the beams, cushioned the walls. It was around that time that Fernanda got the impression that the house was filling up with elves.’

To be honest, I’m really not sure that I would have grown to love One Hundred Years of Solitude if I hadn’t had a couple of days free to lounge around in the sunshine and get completely lost in it. I can easily see how in different circumstances I would have slammed it shut and vowed never to open it again.

A holiday week in lockdown had some unexpected reading benefits, at least.

Right book, right time.

Reads – Dressed For War

Vintage fashion is a bit of an obsession of mine.

I love how it transports you to another time and place; how it brings history to sparkly/embroidered/pleated/knitted/colourful/woven (the list goes on and on) life; how there’s a story, a wearer, a maker behind each garment; how it teaches me lessons about what clothes and styles work for me; how it makes me feel a bit braver when I pick an outfit.

And writing all that down in a dodgily punctuated paragraph makes me realise that vintage fashion actually has certain parallels with reading.

*sits back to mull over this epiphany*

Anyway.

Dressed For War by Julie Summers

Dressed For War by Julie Summers is a biography that shines a light on the life of Audrey Withers, the editor of British Vogue between 1940 and 1960.

Having now discovered Audrey Withers, I can’t quite believe I hadn’t heard of (or noticed, perhaps) her before – she was a gentle giant of the publishing and fashion world, with a quietly powerful influence on the public’s mood, at a critical moment in British history. She was well connected and well respected in important spheres throughout her career, and her progressive views lead the way for changes that we take for granted today.

‘I have always realised that in some important respects I am not a ‘natural’ Vogue editor. I have tried hard to alter or suppress certain attitudes and qualities which I realised were not in the picture, and to cultivate others which were… I think the outlook of an editor cannot help but be reflected in a magazine, but I make bold to say that my outlook (which would not have been rightly the magazine’s outlook fifteen or twenty years ago, and may not be right in the future – unless I and the times can change along together) was right in the war years and is right now.’

Silhouette
me and my shadow exploring the Fashion and Textile Museum in London

One of my favourite sections of the book explores Audrey’s working relationship with the pioneering American model, photographer, and journalist Lee Miller. Again, I can’t quite believe I hadn’t heard of Miller before – she’s an extraordinary character who forged her own fascinating path through the world. I certainly know who’s biography is top of my list to read next!

Obviously, the focus of the book is Audrey, the world of Vogue, and fashion (plus Lee Miller), but the author delves into plenty of historically important moments and their impacts on the everyday lives of Britons and Europeans. Books like Dressed For War help to bring the dates, numbers, and statistics of World War II to stark life, and certainly helped me keep being under temporary lockdown in perspective. A pandemic is obviously not great (understatement of the decade), but fifty-seven nights straight of bombing over London was worse.

Dressed For War was a wonderful sneaky peek inside the world of Audrey Withers and 1940’s magazine publishing, filled with a cast of astonishing personalities, a lot of painful history, and plenty of beautiful fashion.

And if that sounds like your cup of tea, you should definitely read it!

Some articles on the subject I found interesting…

How British Vogue’s Wartime Editor Audrey Withers Changed Fashion – And Feminism – Forever

Don’t Let History Forget This Incredible Female World War II Photographer

Reads – The Mermaid and Mrs. Hancock

IMG_20200109_164826_477

‘Providence has taken your ship and given you a mermaid instead.’

Jonah Hancock’s respectable, if somewhat boring, merchant’s life in 1780’s London is catapulted off course when the captain of one of his trading ships returns one night – after months without news of his whereabouts or the fate of Mr. Hancock’s cargo – without the ship, but with a mermaid.

A whirlwind of chaos, and a hint of magic, ensues.

The  book is full of strange twists and turns of fate, and full, too, of intriguing, infuriating, and monstrous characters that turn and twist those fates to their own purpose – with varying degrees of success. Mr. Hancock is endearing if a little dull. Angelica is impish and stubborn, but ultimately kind-hearted. Mrs. Chappell is wonderfully grotesque and pompous. Sukie is clever and strong, a small force to be reckoned with. The mermaid, or the ghost of it at least, weaves lightly through the pages too.

The writing style is beautiful. It’s quite classical, but never overbearing. In less capable hands, I think I would have found the level of detail irritating – but Imogen Hermes Gowar makes it all seem luxurious rather than laborious. Inevitably, the focus on smaller things impacts the pacing of the story and makes for a slow-burning book. I thought – by the end – that it was worth burning slowly for, but I can see how others might feel differently.

So if you, like me, find yourself being lured by the siren call of The Mermaid and Mrs. Hancock – find yourself being dragged towards its story-shores, feel the pull of its popular current slip-sliding at your feet – I would say there’s no harm in answering its call…

star wars, little women, and me

A galaxy far, far away + a rock star + four sisters in 1860’s Massachusetts.

It’s an eclectic mix, I’ll grant you – but they’re some of my entertainment highlights from the last couple of weeks and have been helping me recover from some pretty intense tinsel, tubs of chocolate, mulled wine, and miniature dachshund withdrawal symptoms.

me by Elton John.

‘Where would I be now? Who would I be now? You can send yourself crazy wondering. But it all happened, and here I am. There’s really no point in asking what if? The only question worth asking is: what’s next?’

Phew. There is A LOT to take in in this book. Elton John has had an extraordinary life and career, and he lays it all – everything – on the table here. It’s fascinating, jaw-dropping, funny, maddening, and utterly compelling. I picked it up on a whim at work – his sunglasses had been staring down from the shelves at me for weeks and I couldn’t take it anymore – and found, completely to my surprise, that I couldn’t stop turning those pages.

He pulls no punches (definitely throws some, though) and he goes into graphic detail regarding all, I repeat all, aspects of the rock n’ roll lifestyle. His honesty is shocking but also endearing – be prepared for an interesting, colourful, and ridiculously outrageous ride if you pick up a copy.

MeByEltonJohn

little women directed by Greta Gerwig

Oh, I loved this film. *sighs*

It was the perfect pick-me-up between Christmas and New Year – that weird, otherworldly time when days don’t seem to happen in the right order and it’s still vaguely accpetable to eat chocolate for breakfast. It’s visually STUNNING – I wanted all the clothes, all the quilts, all the beautiful houses, all the food, and all the March’s Christmas decorations. Each member of the cast felt perfect for their roles. I loved Saoirse Ronan as Jo and thought Florence Pugh gave a depth to Amy’s character that was missing in the 1994 version, plus Meryl Streep is wonderful as always. It was nostalgic, but didn’t feel trapped by the earlier film’s pedigree.

It also made me want to reread the book, so watch this space.

star wars: rogue one directed by Gareth Edwards

Yep, that’s right. The one from three years ago as opposed to the one from three weeks ago.

I hadn’t seen it, despite it being recommended a gazillion times to me by my twin brother as “one of the best Star Wars films made”. But I’ve watched it now, and guess what? I loved it. I would recommend it a gazillion times to you.

It’s a stand-alone prequel to episode IV with lots of nods and tie-ins to the original movies – and there’s some pretty mindbending CGI in it that’ll mess with your heart and head.

The ending is bittersweet, but perfect.

And as for star wars: the rise of skywalker? *shrugs* It’s okay. It’s got great, sad, scary, exciting, funny, heart-warming moments, and it’s got some moments that aren’t so great too. It felt rushed, but it was probably always going to – there’s no way you can tie up all the loose ends of a galaxy far, far away in one film. I liked it, but I wanted to love it.

Have you seen/read any of these?If you have, what did you think of them?Do you have any book or film recommendations?

my favourite reads of 2019

That was the year that was.

I don’t understand how we’ve got to the end of it so quickly (every year I never understand), but here we all are – dazed and confused and full of mince pies (or is that just me?) – about to welcome another year and a whole new decade into our lives.

2019 has been a good reading year for me. I’ve liked or loved pretty much all of the books I’ve picked up – with only a few unfortunate exceptions (let’s never speak of them) – and been kept on my bookish tippy-toes by mindbending genres, colourful characters, and intriguing/challenging subjects. The books below are my favourites from the last twelve months for all sorts of reasons.

I’ve been brutal with my picks and kept them to a skeletal eight. These are the books that I absolutely definitely wouldn’t have wanted to be without this year. The crème de la crème. The absolute crackers. The crunchiest and fluffiest of the roast potatoes. (Still thinking about Christmas dinner, sorry.)

And so, in no particular order, these are my favourite reads of 2019…

a fortune-teller told me by Tiziano Terzani. The title alone had me hooked from the start and the fascinating adventures of Terzani kept me hooked until the very end. A fortune-teller in Hong Kong told him to avoid flying for the whole of 1993 – he did just that, and this is the story of how he continued as a journalist for Der Spiegel, reporting on stories from all across South East Asia, with his feet planted firmly on the ground and less firmly on the sea.

a fortune teller told me by Tiziano Terzani

the power of now by Eckhart Tolle. This was recommended to me last autumn* by my oldest brother. Our mum had just started treatment for cancer and I’d just started CBT for an anxiety disorder. I wanted and needed all the life guidance I could get, in whatever form I could get it. Tolle’s basic premise – accepting and focussing on the here and now rather than obsessing about the past and possible future – makes a lot of sense. And, to be honest, it actually fits in quite well with a lot of the CBT techniques I was taught. Some bits of it felt a bit too new-agey for me (maybe I was just being overly cynical?), but I think it’s core message is insightful and helpful.

*I read it in blocks every few weeks and finished it in January, which is why it made this year’s list and not last year’s.

the power of now by Eckhart Tolle

pure by Rose Cartwright. This book is one of the best books I’ve read on the subject of a mental illness. It was adapted by Channel 4 earlier this year and received a lot of press coverage when it aired, which is how it got onto my radar. Rose Cartwright suffered from a type of OCD that manifested itself as intrusive thoughts about sex (which I understand sounds funny, but if you read this book/watch the TV series you’ll see very quickly that it isn’t). OCD is such a misunderstood illness, and this book really brings to light how distressing, disorientating, isolating, and tormenting suffering from intrusive thoughts can be. It’s honesty is heartbreaking but also heartwarming. I can’t recommend it enough.

jonathan strange & mr. norrell by Susanna Clarke. I ❤ this book, forever. It’s a mind-bogglingly magical and fantastical story following two magicians in Regency-era England – and if that sounds like your kinda thing then you should definitely, definitely, definitely read it.

Jonathan Strange and Mr Norrell by Susanna Clarke book review.

the magic toyshop by Angela Carter. More magic, because you can never really have enough. I fell head over heels for this book. It’s beautifully bittersweet, kind of melancholic, very strange, and completely hypnotic. Angela Carter’s weird emotional sorcery is second to none here.

the master and margarita by Mikhail Bulgakov. Yes, even more magic. This was a real rollercoaster of a book, filled with wacky, off the rails, and surreal events. The devil arrives in Moscow and all sorts of shenanigans ensue…

daisy jones & the six by Taylor Jenkins Reid. Ah holy moly good mother of god, what a book. I wasn’t entirely convinced I would enjoy it, wasn’t sure it would be my cup of tea – but, not only did I enjoy it, I abso-freakin-lutely LOVED it. California + the seventies + a rockband = a whole lot of drama, of the best kind.

DJ&TSBook

reflections on body dysmorphic disorder by Nicole Schnackenburg. A niche one, I know – but an important one for me. And a weird one to include too, because I didn’t actually like reading it. It was painful to read. It left me feeling broken. It made me cry every day. It brought up horrible memories. It picked and picked and picked at a wound that is definitely not fully healed, and it opened up wide the ugliest, most entrenched, most infected hole in my heart. But it also left me feeling less alone, more capable of fixing the thought processes that had taken over my brain, more at peace with my body, and more hopeful for the future. And for all of that, it makes the list.

And that there makes eight.

Here’s to another year filled with books and happy memories. *raises a glass*

Happy New Year!

Reads – The Golden

A few years ago, I read a vampire book at Christmas. The year after I – totally coincidentally – read another one. The year after that I – totally deliberately – read another.

And thus my yuletide vampire book tradition was born.

So far, my Christmas vampire reads have been: The Quick by Lauren Owen, Dracula by Bram Stoker, Let the Right One In by John Ajvide Lindqvist, and Fevre Dream by George RR Martin. This year’s was The Golden by Lucius Shepard (which I read about here while I was researching what book to pick).

‘The gathering at Castle Banat on the evening of Friday, October 16th, 1860, had been more than three centuries in the planning…’

The Golden by Lucius Shepard. Book review. Vampire novel.

For centuries, the old vampire families of Europe have been breeding humans in an attempt to distill the most delectable blood into one line, known as ‘the Golden’. So far, so creepy. At a gathering organised to sample the blood belonging to one of the finest Golden – hosted by the formidable Patriarch of all the vampire families – the chosen Golden is found brutally murdered and drained of all her blood. The Patriarch charges newbie vampire, and former Parisian police detective, Michel Beheim with uncovering the murderer.

The book has a lot of things going for it. The writing is lush and sprawling. The whodunnit aspect is compelling and interesting. The setting is extraordinary. The characters are devious. The twists and turns of the plot are dark, psychedelic, grotesque, avant garde, bizarre, pretty darn meta, as well as charmingly gothic. It certainly didn’t feel like a standard or formulaic vampire story.

But there was one thing that I really disliked about the book, one thing that hung over it like a dark cloud.

The female characters.

Where to start? *grimaces*

In all honesty, I felt uncomfortable with the portrayal of the women throughout the book – particularly their lack of agency and Michel’s treatment of them. Michel is a bit of an arsehole. He knows he’s an arsehole and he wrestles with the fact that he’s an arsehole – with added vampire complications – throughout the entire story. I don’t know if his internal struggle makes it better or worse. It certainly makes it something. Mostly it was simply embarrassing and cringeworthy (for the character and the author) to watch unfold and, to be honest, its obviousness/standardness/unimaginativeness was almost boring, but it also felt a little bit sinister. It’s extent is debatable (I don’t actually want to debate it though because it’s Christmas and I work in retail so I’m grumpy and tired, just an fyi), but, personally, something felt icky and disappointing. Not overwhelmingly icky and disappointing, but still.

It’s very dated.

And I’m just gonna leave that very big can of worms there.

*backs away slowly*

I still liked it, still thought it was intriguing, still enjoyed the world building, etc., I just know I would have liked it more if my eyes had had less rolling to do.

My quest for the perfect vampire novel continues…

away with the fairytales

‘The realm of fairy-story is wide and deep and high and filled with many things – all manner of beasts and birds are found there.’ said J.R.R Tolkien in his essay On Fairy Stories.

And recently, one of the beasts to be found there has been me.

I’ve been venturing forth into those wide and deep and high realms on a quest for story treasures – armed with a notebook and pen to document my findings (when I remembered to be organised), and an embarrassing amount of tea to keep me going (which I always remembered because tea is life).

Here are a few of the treasures I discovered…

Snow, Glass, Apples by Neil Gaiman (illustrated by Colleen Doran)

‘I think of her hair as black as coal – her lips, redder than blood – her skin, snow-white.’

This book was dark, gruesome, macabre, explicit, and disturbing. And I loved it.

It’s an unsettling reimagining of the Snow White fairytale by Neil Gaiman, in graphic – sometimes very graphic *blushes* – novel form. First published in the nineties, it was rereleased earlier this year with illustrations by Colleen Doran.

The story itself is a wonderfully twisted take on the more traditional version of the tale, but it’s the illustrations that really make this book. They are stunning.

Definitely not one for the kids, though.

Snow, Glass, Apples by Neil Gaiman, illustrated by Colleen Doran, 2019 edition

The Wolf in the Attic by Paul Kearney

‘He is the fear in the dark, the monster under the bed. He is a thing out of stories, and he is here in my house…’

Anna is our heroine here – an eleven-year-old Greek refugee living with her emotionally distant father in 1920s Oxford. The pair are the only members of their family to have survived an attack on their home city, and not only is Anna still grieving for the friends and family she lost in the attack, she’s also struggling to fit into her new life in England. She’s incredibly lonely, cast adrift. But she’s also adventurous, wanting to follow in the footsteps of all the great characters of Greek mythology, and that spirit of adventure draws her into a world full of supernatural dangers.

This was an unusual gem/rough diamond of a book. It’s a hard one to define. There are a few things that aren’t quite right with it – it sits uneasily across genres and target audiences, the narrative voice seems to wander about at times, the pacing feels slightly off, plus there are awkward cameos from J.R.R. Tolkien and C.S. Lewis. And, technically, all of those things put together should have made for a bad reading experience… but *throws hands up in the air* I actually really liked it.

What can I say?

It’s by no means perfect but it’s by a lot of means enchanting.

The Wolf in the Attic by Paul Kearney

Once Upon A River by Diane Setterfield

‘In an ancient inn on the Thames the regulars are entertaining thenmselves by telling stories when the door bursts open and in steps and injured stranger. In his arms is the drowned corpse of a child.

Hours later, the dead girl stirs, takes a breath and returns to life.

Is it a miracle? Is it magic?

And who does the little girl belong to?’

This was an interesting book. I liked it a lot, especially its magical, folkloric elements.

I loved the ever-present spectre of Quietly the ferryman. ‘He appeared when you were in trouble on the water… He spoke never a word, but guided you safely to the bank so you would live another day. But if you were out of luck… it was another shore altogether he took you to…’

Ferrymen who guide souls to the otherworld are a favourite mythological figure of mine. *taps pen against nose secretively*

And all the living characters are richly drawn too. Their individual stories intertwine and twist and turn beautifully. But the plot is quite a slow-burner, a meanderer like the Thames itself, which felt a little disappointing.

Although it was certainly an enjoyable world to meander through.

Once Upon a River by Diane Setterfield book review

♦ Have you read any of these? ♦ What did you make of them if you have? ♦ What fairy-story realms would you recommend to a bookish explorer? ♦ The Tolkien quote at the start of the post is one of my favourite quotes on fairytales… what’s yours? ♦

Let me know in the comments!

Frightfully Good Reads – Two

‘True! – nervous – very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses – not destroyed – not dulled them. Above all was the sense of hearing acute. I heard all things in heaven and earth. I heard many things in hell.’

The Tell-Tale Heart by Edgar Allan-Poe is the perfect bitesized Halloween read.

Short and sharp and not-so sweet.

‘He had the eye of a vulture – a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees – very gradually – I made up my mind to take the life of the old man, and thus rid myself of the eye forever.’

An unidentified, unstable, and wholly unreliable, narrator details their rationale behind the murdering of an elderly gentleman, their method of killing him, and how their plan ultimately falls apart.

‘I admit the deed! – Tear up the planks! here! here! – it is the beating of his hideous heart!’

It’s atmospheric, gruesome, claustrophobic, unnerving, and strange – gothic literature at its spooky best. It will keep you on the lookout for slithers of lantern light at your bedroom door for days (or nights, I guess).

You can read the story online here, although, if you’re like me and prefer physical copies of books, I can definitely recommend the Penguin Little Black Classic edition, which also includes The Fall of the House of Usher and The Cask of Amontillado for only £1 – helpfully modelled here by Poppy the cat…

Poppy&TTTH2 (2)

PoppyAndTTTH2 (2)

Poppy&TTTH (2)

Frightfully Good Reads – One

Ah, October.

The month of not knowing how many layers to wear. Of feeling boiling hot then freezing cold then Goldilocks warm, and back again. Of crunchy leaves under raggedy boots. Of apples, apples everywhere. The month of silver clouds, torrential rain, and sometimes-golden sun. Of wood-smoky fires. Of nights drawing in and of Halloween creeping its way closer and closer on a pair of spider-webbed tippy toes.

So in honour of all things Halloween, I’ve turned my reading focus to the dark side.

And where better to start than a graveyard?

TheGraveyardBook
The Graveyard Book written by Neil Gaiman and illustrated by Chris Riddell

Neil Gaiman and Halloween are a match made in heaven.

Well. Maybe more like a match made in hell.

The Graveyard Book is everything you would hope for and expect from a YA story set in a cemetery by Neil Gaiman (with illustrations by Chris Riddell). There are ghosts and ghouls and witches, angels of death, vampires and werewolves, a sprinkling of cut-throat baddies, plus a goodhearted but sometimes misguided hero.

Nobody “Bod” Owens is the sole member of his family to survive a hit by a supernatural assassin known simply as ‘the man Jack’. Only a helpless toddler at the time of the murders, Bod is taken in by the ghosts of a nearby graveyard and is raised as one of their own. But as he grows up and ventures more into the world beyond the graveyard’s gates, the threat from ‘the man Jack’ – still on the hunt for his missed kill – becomes ever more dangerous.

I loved this book. It’s simple but fun; a gloriously ghoulish adventure.

And although it’s most definitely aimed at the children’s/YA market, its themes are ageless, timeless, and oh so wise. I was constantly scrabbling around for a notebook and pen as I read, trying to keep track of all its life lessons.

“If you dare nothing, then when the day is over, nothing is all you will have gained.” page 217.

“You’re alive, Bod. That means you have infinite potential. You can do anything, make anything, dream anything.” page 165.

“Things bloom in their time. They bud and bloom, blossom and fade. Everything in its time.” page 136.

*raises hands in reverie towards book heaven/hell*

The Graveyard Book is a seamless blend of light and deathly dark.

The best stories always are.