Right. I think I can do this.
I can totally do this.
Okay, so this is going to be harder to write than I thought when I first started reading the book.
The Winter of the Witch is the final novel in the Winternight trilogy by Katherine Arden. The trilogy follows Vasya as she grows from a headstrong and away-with-the-fairies girl into a powerful young woman. You can read about my love for The Bear and the Nightingale here and my love for The Girl in the Tower here. There’s a lotta lot of love there.
There is slightly – emphasis is really important on the slightly – less love here.
*closes eyes, scrunches up face, and waits for boos and hisses*
Most of my lack of love is for the first half of the book, which I found (and I will go ahead and use this word, because I am apparently a hundred and fifty years old) befuddling. I’m perfectly happy to accept that my beffudlement might be due to a combination of January brain, juggling five books (not a good move), a cold, and my aforementioned a hundred and fifty year oldedness*, but I felt like there was a lotta lot of story stuff going on and it seemed *scrunches up face again* more melodramatic than dramatic to me.
The book came into its own, though, in the second half and things began to make more sense to my old and withered January brain.
Here are just a few of my favourite things:
- The Bear – is it bad that I was actually a little bit in love with Medved by the end? Well, if it is then all I can do is apologise. Obvsiously, I wasn’t a fan of the whole raising the dead thing (because that’s really not a very nice thing to inflict on the living or the dead) but I was a fan of all the mischief. He was endearing, if twisted. All I’m saying is that I think he would make for interesting company at a dinner party. Don’t judge me.
- Sasha – he’s a legend and I think we can all agree that this time my love needs no apology.
- It’s a twin thing – as one half of a set of twins (not sure if that’s the best way to put it, but it’s what I’m going with), my attention is always grabbed by a twin story-line. I love (or am amused by) all the clichés associated with us and I love the almost mystical qualities people who happen to have shared a womb at the same time are sometimes given by people who got a womb all to themselves for nine months. We’re not that interesting, I promise. In this case, though, the mystical qualities were obviously more than fair enough. Yin and yang, good and evil, light and dark, life and death, love and hate, summer and winter. The balancing act was nice to watch unfold.
- The writing – Katherine Arden’s writing is beautiful. Her descriptions are rich but never heavy handed, and the world she’s made is mesmerising.
- The ending – it’s bittersweet because the trilogy is over, but it’s also goldilocks-right.
The last seventy five or so pages disappeared in a blur and flurry of paper for me. Everything converged into a perfect story-storm, and I was actually left shaking and holding back tears by a certain… goodbye.
It’s hard not to write about it, but I won’t.
*breaks down again*
I really do wish I’d loved the first half of the book more.
But I loved The Winter of the Witch by the end and that’s more than good enough for me.
*note to self – must stop ruining the English language.